by baldilocks

I’ve got nothing. Therefore, go read this.

Talk to a Leftist, and he will complain that dead people who looked vaguely similar to you perpetrated horrific crimes against humanity (while ignoring similar crimes perpetuated by people who didn’t look much like you). The Trail of Tears was your fault, so was slavery, the Holocaust, colonialism, why Somalia sucks today, and why it sucked 500 years ago, and why an overweight lesbian couldn’t get a taxi cab in Manhattan at 4 in the afternoon on a Friday – whatever. It’s all your fault. Carry the sins, accept the punishment, give up your wealth (there was a hashtag running around social media some time ago called #GiveYourMoneyToWomen), shut up and stay in your lane.

Christ could carry the weight of the world, the plethora of sins committed by mankind. I, however, am unable to do so. I’m just a man, a regular Joe. I work, I pay my taxes (I’d rather not, but it’s not like the IRS gives us a choice in the matter), I have a family, same as any other. I screw up a lot, and the weight of my own responsibilities is, on occasion, rather crushing on its own. I am not Atlas, and SJWs can sit there and try to put the weight of the world on my shoulders, but it’ll never work. It’ll never do any good.

Folks, I don’t know how much of your thinking has been wasted on the matter of social justice and progressivism. A good man might ask himself if, perhaps, he really ought to carry these chains, if you are Jacob Marley to their Ebenezer Scrooge. But the question is moot to begin with. You can’t carry these chains, whether you wanted to or not. They are too big for you. They will destroy you. When you look into the face of an SJW, you are seeing someone who was already destroyed by this weight. Their psyches cracked under the pressure. They are no longer sane, or even themselves. It is almost like they are all possessed.

Read the rest and Happy Earth Day. Try not to carry it, though. Or worship the things of it.

Juliette Akinyi Ochieng blogs at baldilocks. (Her older blog is located here.) Her first novel, Tale of the Tigers: Love is Not a Game, was published in 2012. Her second novel tentatively titled Arlen’s Harem, will be done on April 2017! Follow her on Twitter and on Gab.ai.

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United employees forcibly drag a doctor off a plane.  American employees hit a mother of two across the face.  What in the heck is going on here?

Fluffy guidance, that’s what.

Airlines are in a heavily regulated industry, with rules upon rules.  Every time you fly, government regulations demand you hear the same ditty about lighted egress routes and oxygen bags, the excuse being that they save lives (although rear facing seats would be more effective).  In most cases, the rules tend to cover the circumstances.  But not always.

When rules hit a snag, employees do one of two things:

  1. Strictly enforce the rules.
  2. Use guidance to modify the rules and accomplish your end state.

But have you looked at corporate guidance lately?  It would be hard to do so for the airlines.  I tried and struggled to find anything publicly posted.  When I look at other companies, I find guidance, but it tends to be fluffy, using big words like “empowered” that don’t mean much when you’re dealing with irate customers.

The civilian side could take a lesson from the military.  Commanders are taught to issue guidance so that their subordinates will have principles to guide their actions when they face situations not covered by the rules.  A good example is Pacific Fleet, where the guidance fits on a sheet of paper but covers their mission, principles and what the end state should be.

Guidance gives employees flexibility.  United could have offered to boot four passengers and give them first class tickets on a follow-on flight.  It could have offered more than 800 dollars.  If employees knew that their CEO wanted passengers to be happy flying United, then an employee bending policy to accomplish that would be celebrated.  Guidance also gives employees a voice, because when established rules conflict with guidance, employees can and should point it out.  Overbooking makes it hard to keep people happy if you get bumped.  I’m willing to bet more than a few United employees have good ideas on how to prevent overbooking issues, although it’s doubtful they will be heard.

We have too many people claiming airlines haul people off because of profits.  Yes, that’s a motivation, but not the entire story.  I think it’s laziness on part of management.  Issuing iron-clad rules is easy, especially from a cushy office building.  Writing guidance so that your employees can navigate the difficult situations they face each day is much harder.


This post represents the views of the author and not those of the Department of Defense, Department of the Navy, United Airlines, American Airlines, or Disney.  I don’t have the training in force choking and hand to hand combat to properly represent any of those organizations.

If you enjoyed Darth Vader as a United Airlines employee, please check out my blog and donate to Da Tech Guy.

I know I usually don’t lead with a Doctor Who review but I’ve been sick this week and I needed to get it in before the new episode.

Summary:  Something odd is going on at St Luke’s University Bristol where there is a Doctor in Residence

Plot: The Doctor notices a woman named Bill who works in the kitchen of the campus who has been attending his lectures, Bill has been noticing various women but one of them has noticed an odd puddle that leads to trouble.
———————————–

Writing: Moffat puts us in an interesting setting, suggesting subplot after subplot with an obvious season long arc brewing it’s a situation full of promise.  (I REALLY liked the whole Doctor noticing the lunch lady in the lectures bit)  and delivers one of the weakest, most contrived SJW stories that one could give and the worst story to introduce a character since the Twin Dilemma.  It’s as if the story itself was an afterthought to all that’s going on in his head.

Acting:  There is a lot wrong with this episode but none of it has to do with the acting,  Peter Capaldi shines, delivers, Pearl Mackie’s does a more than adequate job as Bill with strong hints of even better to come but it’s Matt Lucas’ Nardole again in a lesser role really makes it all come together.  I’m shocked at how much he ads to the show.

Memorable Moments:  The Doctor’s office, I fattened her up.  The first mention to my knowledge of the Tardis Bathroom (other than Deck 7)

Doctor Who Flashbacks: The Pictures of River Song and Susan, Sonic Screwdrivers, Movellans

Oddities:  There are signs that Nardole is cybernetic yet he give a warning about the Tardis Bathroom, The Doctor refers to the Morvellans as Friends but that’s not quite accurate.

Pet Peeves:  Ok so you have this puddle, it’s apparently so powerful that it’s able to travel through time and space on a whim and even defeat Daleks and all it really wanted to was:

1. Take over one human
2. follow a crush.

I’m sorry you’re telling me that such an artifact couldn’t resist that last thought? And what’s it actually doing there? It’s not about an actual plot, it’s about emphasizing Bill as a lesbian and legitimizing such a crush to an audience of kids.  The irony of course is the rather humorous chips scene had already accomplished that purpose but was well written.  If you had an actual plot or reason behind such a super powerful liquid life form or whatever there, that would be one thing, but there was no sign of it.  This was just spiking the ball in your face, full SJW the same thing that killed the first series.

I’ve grown used to dealing dealing with  SJW in entertainment in general and Doctor Who in particularly, I do my best to ignore it but as objectionable as it it’s even worse when paired bad storytelling.


Great Quote(s) via chakoteya.net transcripts

Bill: Look at this place. It’s like a
The Doctor: Spaceship.
Bill:  Kitchen.
The Doctor: A what?
Bill: A really posh kitchen, all metal. What happened with the doors, though? Did you run out of money?


Nardole: Oh, human! Human alert. Do you want me to repel her?
The Doctor: She’s just passing through. She wants to use the toilet.
Nardole: Oh. I’d er give it a minute, if I were you.


Bill:  Doctor! It’s bigger on the inside than it is on the outside!

Nardole: Way-hey! We got there! (Nardole and the Doctor shake hands.)
Bill: How is that possible? How do you do that?
Nardole: Well, first you have to imagine a very big box fitting inside a very small box.
Bill: Okay.
Nardole: Then you have to make one. It’s the second part people normally get stuck on.


The Doctor: Nardole, we need to move away from the doors and towards the Tardis.
Nardole: What if it attacks us?
The Doctor:  Well, that’s the good news. It means it’s not interested in what’s inside the vault. It just wants to kill us.
Nardole: Oh.
The Doctor: Run!


Bill:  Can I ask you a personal question?
The Doctor: No.
Bill: Can I anyway?
The Doctor: Yes.
Bill:  Are you from space?
The Doctor: No, of course not. Nobody’s from space. I’m from a planet like everybody else.
Bill:  This planet?
The Doctor: No, not specifically this one.


Final Verdict: 2 1/2 stars My wife thinks it deserves less and it might but there was enough there to get this level.  What’s really a shame is this episode could have easily been 4 stars or more.  So much potential and so much waste for a story they had a whole figgen year to write.  I’m hoping and expecting a lot better given good writes given such a talented cast

Ranking of Season: 1st of 1 (by default) that won’t last (at least I hope not)

1st  The Pilot

Top 10 Ranking in the Capaldi Era: Doesn’t place but it’s worth repeating what I said while complementing the Return of Doctor Mysterio:  “This is a children’s show that adults can enjoy instead of a children show pushing adult themes, more please.”  Apparently they didn’t take my advice.

1st The Husbands of River Song
2nd. Last Christmas
3rd. The Caretaker
4th. The Return of Doctor Mysterio
5th. The Girl who Died
6th. The Witch’s Familiar
7th. Hell Bent
8th. Mummy on the Orient Express
9th. Face the Raven
10th. Into the Dalek