Summary:  Sometimes a killer rental is just that.

Plot:   Bill and a group of friends find a place for themselves, a big old house at a bargain and she can’t wait to move etin and get her own place.  She is annoyed when the Doctor (her “grandfather) turns up but when her roommates start disappearing and dying can she and the Doctor solve the mystery of the landlord and his hidden daughter?
———————————–

Writing:  In once sense this is such a formula piece, spooky house, bargain too good to be true, twenty somethings disappearing you would think it wouldn’t work, but the strength of this story like the previous episode are the characters and their interaction and it turns what would normally be a pedantic episode into a winner for writer Mike Bartlett. I like very much that unlike Moffatt Bartlett uses Bill orientation without playing SJW.  I also love the sheer normalcy of the search for an apartment and the reality of trying to do so on a budget.

Acting:   For the first time this season the supporting cast brings their A game particular veteran actor David Suchet as the very dark yet weak landlord the rest of the young actors all do yeoman work here.  As always Peter Capaldi brings his A game and Pearl Mackie shines so well that almost total absence of Matt Lucas is not a disadvantage here. I found the supporting cast completely boring and forgettable which I think really costs this episode, but Capaldi does period pieces so well that one can almost forget it.

Memorable Moments:  Doff my cap,  Granddad, you should find another house,

Doctor Who Flashbacks:  Grandad (Susan and 1st Doctor), Harriet Jones (9th and 10th Doctor)  Plenty of things to kill you on earth (Last Christmas)

Oddities: I love the Doctor helping Bill move, it’s so ordinary like the Turkey thing in the 11th Doctor’s final episode.

Pet Peeves:  I don’t see any reason for these bugs to do what they do, the idea that the kid cold train them is quite a leap.


Great Quote(s) via chakoteya.net transcripts

Shireen: [Frustrated at not finding a decent place] What do other people do?
Bill: Other people have money.


Bill:  He’s my grandad.

The Doctor: Aw, come on. Father at least, please.
Bill:  All right, grand-father.


Felicity: Do you like this music, Doctor?
The Doctor: Reminds me of Quincy Jones. I stepped in for him once. The bassist he’d hired turned out to be a Klarj Neon Death Voc-Bot. What was worse, he couldn’t play. 


Harry: What’s happened to her? What’s going on? Do you think it’s like she said? A thing?
The Doctor: Maybe.
Harry: And so is it out there now? Or in here?
The Doctor: Or both.
Harry: I’m scared.
The Doctor: Don’t be.
Harry: Why not?
The Doctor: It doesn’t help


Final Verdict: 4 stars That’s more like it.  A good regular episode and almost everyone lives too.

Ranking of Season: 1st of 4  Again a little better than the last one, the trend continues in the right direction

1st Knock Knock
2nd Thin Ice
3rd Smile
4th The Pilot

Top 10 Ranking in the Capaldi Era: The good news we’re creeping closer to the top ten, the bad news is we still haven’t cracked it. inching toward it

1st The Husbands of River Song
2nd. Last Christmas
3rd. The Caretaker
4th. The Return of Doctor Mysterio
5th. The Girl who Died
6th. The Witch’s Familiar
7th. Hell Bent
8th. Mummy on the Orient Express
9th. Face the Raven
10th. Into the Dalek

As mentioned before in this space, many veteran Christian rockers have successfully turned to crowdsourcing as a means to both finance rereleasing cherished catalog albums and fund new projects. The 77s are currently working the former, with an unearthing (or rescuing from underwater, if you prefer) of their 1994 release Drowning With Land In Sight the pursued prize.

Drowning With Land In Sight was the 77s sixth album and their second major label release, albeit of a far different nature than the first which was put out in 1987 by Island Records only to be overwhelmingly ignored by same, it apparently too busy counting money from the latest U2 project to notice it had a terrific record by someone else on its hands. This time, the band was labelmates with Amy Grant and looked poised to claim their rightful place along Petra et al among Christian rock royalty. Which unlike regular rock royalty translated into actually being able to pay the rent on time each month as opposed to making sure the accountants properly cut a check for the new Lear next month. But I digress.

There was one minor problem with this approach. The 77s had always been Christian rock for people who hate Christian rock; never intentionally antagonizing their prospective core audience but also never comfortably nesting alongside the aforementioned Petra and variations thereof as readymade youth group fodder. The lyrics were too introspective, the accompanying music too challenging as it varied from shimmering, contemplative power pop minus the genre’s usual relentless cheerfulness to heavy blues. The band’s pop side had been prevalent on its previous release. Now it was time for the blues. And oh, did they deliver.

In the film Rattle and Hum, Bono commented, “Charlie Manson stole this song from The Beatles. We’re stealing it back” as U2 ripped into a cover of “Helter Skelter.” Without similar fanfare, The 77s did the same opening Drowning With Land In Sight by taking Led Zeppelin’s arrangement of “Nobody’s Fault But Mine” and reuniting it with song author Blind Willie Johnson’s original lyrics, or at least a far more closely aligned set of words than what Robert Plant intoned. Making this a full throttle triumph, band lead singer/lead guitarist/main songwriter Mike Roe showcased how he was and is one of the very, very, very few guitarists on the planet capable of tackling a tune touched by Jimmy Page and not sounding anemic by comparison.

Roe and company were just getting warmed up. The album bristles with snarling jagged force. At the time it was being recorded, Roe was watching his marriage crumble while bandmate David Leonhardt was finishing a battle with cancer. This left little room for niceties or pious platitudes. Instead, Roe took what would have been the title track from his previous album had the distributor not nixed it, namely “Pray Naked,” and used its philosophy as a beacon, stripping bare his raw emotions and displaying them for all to see. Lyrically the theme isn’t centered on former partner bashing; reflections on one’s own shortcomings are woven throughout decried loss. The band occasionally dipped into its pop side for this, but for the album’s majority kept the sledgehammer cranked to 11. Only the last three songs featured The 77s’ softer side, with the final song “For Crying Out Loud” offering the hope most everything before it found lacking.

It’s little wonder Drowning With Land In Sight fared poorly in the Christian marketplace. Said collection of Christian bookstores and churches purchasing music from them was, if ofttimes grudgingly, acceptant of endless variations on “Praise Ye The Lord” by Petra. It had no idea whatsoever what to do with a primal scream. But for those who know pain, the album was and remains a hiding place for shared sorrow. Drowning With Land In Sight is a superb musical dark star, steeped in the blues and made for those walking in the valley of the shadow.


By John Ruberry

Most of the main characters in Hell on Wheels, my last Netflix binge-watching adventure, were shaped, and scarred, by the American Civil War.

In this BBC 2 television show, Peaky Blinders, set in Birmingham, England beginning in 1919, World War I casts its shadow over the lead characters.

Three seasons have been released so far. The action–and the violence–is centered upon the Anglo-Gypsy Shelby family, led by Thomas “Tommy” Shelby (Cillian Murphy), a decorated Great War tunneller who returns home a new man–and a better suited one to run the family business, Shelby Brothers, Ltd, a bookmaking operation set in the grimy and noisy Small Heath section of Birmingham. But the gang is generally called the Peaky Blinders by members and their enemies. His oldest brother, Arthur (Paul Anderson) is clearly more psychologically damaged from the war than Tommy, but he’s better suited to serve as the enforcer for the family. “I think, Arthur. That’s what I do,” Tommy explains to him. “I think. So that you don’t have to.” Third son John (Joe Cole), another World War I veteran, is also employed in the muscle side of the operation, while Finn, the youngest Shelby, is only 11-years-old when the series begins.

Tommy has a sister, Ada Thorne (Sophie Rundle), who is married to communist agitator. But she’s still loyal to the family.

While the Shelby men were fighting in France–the family business was run by Elizabeth “Aunt Polly” Gray (Helen McCrory), a kind of a Rosie the Riveter of the underworld. Tommy quickly takes over from Polly, who serves as his senior advisor. Like Edward G. Robinson’s legendary Rico character in Little Caesar, Tommy becomes a small-time-hood-makes-good-by-being-bad by playing one gang faction against the other, first in Birmingham then in London, while largely ignoring Aunt Polly’s warnings.

When the Peaky Blinders stumble upon a large machine gun shipment in an otherwise routine heist, that gets the attention of Secretary of State for War Winston Churchill (Andy Nyman in the first season, Richard McCabe in the second), who dispatches Inspector Chester Campbell (Sam Neill) from Belfast to find the machine guns. Those guns give Tommy power and respect–and enemies. Not only do Churchill and Campbell want those weapons, but so does the Irish Republican Army.

Campbell sends in an Irish domestic spy, Grace Burgess (Annabelle Wallis), to work at the neighborhood pub owned by Arthur, appropriately named The Garrison. She quickly becomes its de facto manager.

In season three, which is set in 1924, Tommy, at Churchill’s request, gets involved in another armaments caper, this time with members of the Whites faction who haven’t ascertained that the Communists have won the Russian Civil War. Arthur warns Tommy to stay out of “this Russian business.” It’s too bad the script writers didn’t take their own creation’s advice. As was the case with season four of Sherlock, what follows is a collection of tangled and confusing plot lines. Possibly realizing their mistake, the writers include quite a bit of gratuitous nudity to accompany the Russian adventure, including a bizarre orgy scene which does nothing to advance the storyline.

On the other hand, the Russian diversion is loosely based on a 1924 scandal that brought down Great Britain’s first socialist-led government.

At least two more seasons are coming.

The cinematography of Peaky Blinders is masterful. Imagine Tim Burton creating a remake of The Untouchables television show and setting it in 1920s Birmingham. And this is an ugly Birmingham. J.R.R Tolkien lived in the city before the Great War and his reaction against it was his creation of Mordor for The Lord of the Rings. Just as the Eye of Sauron looked upon that evil realm–the sparks and the ashes of the foundries oversee the Midlands metropolis here. And the industrial roar is always there too.

Blogger in his flat cap

Without getting into spoilers it’s a challenge to bring a description of Jewish gangster Alfie Solomons into this review, but his portrayal by Tom Hardy is too good to overlook.

Oh, the name. Peaky Blinders? There was a Birmingham gang by the same name who gained that moniker because its members supposedly sewed razor blades into the peaks of their flat caps. And in fights the hoodlums went for the eyes.

And finally, the music deserves special mention too. Anachronistic goth rock dominates, the unofficial theme song is Nick Cave and the Bad Seeds’ “Red Right Hand.” You’ll find selections from PJ Harvey, Tom Waits, and the White Stripes too.

And Johnny Cash sings “Danny Boy.”

John Ruberry regularly blogs at Marathon Pundit.

John “Lee” Ruberry of Da Tech Guy’s Magnificent Seven.

By John Ruberry

Last week President Trump released his proposed fiscal 2018 budget. Not included in it was funding for the National Endowment for the Arts and the National Endowment for the Humanities.

The left, which dominates the arts, responded predictably, acting as if art itself was being attacked.

Sit down and breathe deeply. Close your eyes. Now relax. If the NEA and the NEH disappear–there will still be art. Even after eight years of economic dormancy under Barack Obama, the United States is still a fabulously wealthy nation with plenty of disposable income, some of which will of course be spent on the arts.

Do you feel better now? Good. I knew you would.

Art is everywhere. In fact it’s right in front of you now–my post at Da Tech Guy and all of the others here are artistic endeavors, albeit not funded by the federal government.

Yes, the NEA and the NEH, as far as I know, no longer funds exhibitions of Robert Mapplethorpe photographs showing genitalia of pre-pubescent girls or a display of Piss Christ, but this Great Society mutation of royal patronage of the arts–didn’t we fight a revolution against a king?–makes little cultural or economic sense, as George Will explains.

David Marcus, artistic director of a Brooklyn-based theater project and senior contributor to The Federalist, says the NEA produces “perverse market incentives” that explain why many arts institutions “are failing badly at reaching new audiences, and losing ground.”

“Many theater companies, even the country’s most ‘successful,’ get barely 50 percent of their revenue from ticket sales. Much of the rest comes from tax-deductible donations and direct government grants. This means that the real way to succeed as an arts organization is not to create a product that attracts new audiences, but to create a product that pleases those who dole out the free cash. The industry received more free money than it did a decade ago, and has fewer attendees.”

The arts community is incestuous, especially within its foundations and boardrooms. You scratch my Cubist back and I’ll massage your western yodeling feet. You’ve heard of crony capitalism. There is also crony arts.

As usual, I don’t have to look beyond my own grossly mismanaged state of Illinois–when we had budgets they made about as much sense as a Jackson Pollock painting–to find an example of cronyism in practice. The Illinois Arts Council Agency, which as you can tell by its name, is a state agency and it is a recipient of National Endowment for the Arts cash. It was founded in 1965, which not coincidentally, was when the NEA began. The chair of the Illinois Arts Council Agency is Shirley Madigan, the wife of state House Speaker and Illinois Democratic Party Boss Michael Madigan. Their daughter is Lisa Madigan, Illinois’ attorney general.

The Illinois Arts Council Agency boasts that nearly 100 percent of the state’s legislative districts receives some IACA funding. It’s all about spreading the wealth around. As for those legislative districts, the geographic contortion created by Michael Madigan’s gerrymandering just might be worthy enough to be put on display at the Art Institute of Chicago adjacent to those Pollock-esque state budgets, but that’s another matter.

The NEA and the NEH also operates under the same spread-the-favors-around–I mean wealth, mindset–which is why defenders of these groups cite federal funding for events such as the Cowboy Poetry Gathering in Nevada and the Hip Hop Initiative in North Carolina as justification for these agencies.

Blogger on a self-funded trip to the Vicksburg battlefield

The NEH provided funding for Ken Burns’ acclaimed 1990 Civil War documentary that was broadcast on PBS, which is another success boasted by supporters of the NEH. Oh, Trump’s budget wants to eliminate for that network as well as NPR. Have you seen Burns’ Civil War? It’s fabulous. But what of the money for sales of Ken Burns’ Civil War book, or the Civil War DVDs and CDs? Or Civil War digital downloads? How much does the federal government get from those sales?

How much does Ken Burns collect?

Sure, NEA and NEH funding is a very small piece of federal spending–$148 million is the expenditure for this year. But proper budgeting means saying “No” a lot. America is wealthy–but not infinitely so.

John Ruberry regularly blogs at Marathon Pundit.

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It’s Saint Patrick’s Day, and I’m taking a break from politics, which always includes watching a movie.

I’ve been a Tom Hanks fan since his Bosom Buddies days (1980-1982, that’s how old I am), a series oddly prescient of some of today’s headlines,

Two young single ad men must disguise themselves as women to live in the one apartment they can afford.

Hanks went on to star in dozens of movies, many of which involve travel-related mishaps.

Hanks’s mismatched shoes at the airport get him into trouble in The Man With One Red Shoe. He goes to the boardwalk as a child and turns into a grownup in Big. He has a fateful car accident in The Bonfire of the Vanities. He and Gary Sinise nearly get blown to smithereens twice – first in battle, later in a hurricane – in Forrest Gump, and let’s not forget when he and Meg Ryan came thisclose to being human sacrifices in Joe Versus the Volcano.

As Hanks’s career took off, he starred as astronaut Jim Lovell in Apollo 13, where he said one of cinema’s  most-quoted lines, “Houston, we have a problem,” after the capsule sprung an oxygen leak and lost power following an on-board explosion:

Hanks was hounded by a cabal which counted as a member a self-flagellating albino in The Da Vinci Code. East German punks stole his coat in Bridge of Spies, and Somali pirates his ship in Captain Phillips. He even played Chesley ‘Sully‘ Sullenberger, the most-skilled pilot who landed an airplane full of passengers on the East River. Speaking of passengers, his character was stranded for months at JFK airport in The Terminal.

But Tom Hanks’s most famous movie involving disastrous travel is Cast Away (2000), where he plays Chuck Noland, a FedEx executive who spends years talking to a volleyball named Wilson while stranded on an island somewhere in the Pacific:

Tom Hanks loves “you can’t get there from here” plots.

It’s all entertainment, and he does it very well. So does Denzel Washington, also in the same generation, but if I’m ever at Lowe’s and Denzel comes in followed by five Russians, I’m dropping everything and heading out the door.

Just in case.

Fausta Rodríguez Wertz posts on U.S. and Latin America at Fausta’s blog

A few days ago, I ran across this story involving a recent speech by conservative radio host and author Hugh Hewitt:

ORLANDO, Fla. (NRB) –  Christian radio show hosts have an obligation not only “to deliver great news talk” but to make certain the “fragrance of the Gospel is there,” Hugh Hewitt said Tuesday evening (Feb. 28) at Proclaim 17, the National Religious Broadcasters’ International Christian Media Convention.

Speaking at NRB’s Media Leadership Dinner, Hewitt told the audience of other talk show hosts and broadcasters that he has hosted his many guests during 17 years with Salem Media Group “with one purpose in mind – to smuggle in the Christian Gospel into a secular setting.”

 

Really.

Really?

Indulge me while I address Hugh Hewitt directly.

I prayerfully urge you, Hugh.

Listen to yourself.

Put your words into practice.

You did not do so in my case.

See, a few years back when I wrote my book about the forgotten and neglected pioneers of Christian modern rock, I had the crazy notion you’d be interested. After all, you’ve written a parcel of books for Christian publishers. You’ve long talked about the need to impact the culture. Well, here were people who took that notion to heart and actually did so. Seemed to me like it’d be a natural for your show. Just a few minutes; enough to get the word out. No big.

I was wrong.

Even after I sent you a copy of the book through your personal assistant, not a word. Now before you or anyone else (more on said else anyones later) reply with I’m/he’s busy and can’t possibly get back to everyone who contacts me/him, a brief reminder. We’re all busy. All of our time is valuable. By my reckoning, the single mom trying to juggle child rearing, working more often than not one job, and everything else life has thrown her way is far busier than both of us combined. So no, no whining about being busy is admissible.

Oh, but I did hear back from your radio show’s producer Duane Patterson. Boy, did I hear back. According to him, no interest whatsoever. The show is politics from start to finish. No time for anything else. When pressed, he responded time and again with heaps of insults and name calling. Rather disrespectful, don’t you think Hugh?

As noted, there was your loyal core of fanbois and gurrls who were aware of my efforts. They followed both your lead in ignoring me and Mr. Patterson’s lead in belittling me. How DARE I speak less than glowingly of the great and good Hugh Hewitt! How DARE I waste a nanosecond of his time, or that of anyone connected with him! Infidel! Unclean! RINO!!! Which leads to the musing about how in a conservative media world, both old and new, where endless self-promotion is not only mandatory but routinely lauded and reciprocated, I was burned at the stake for attempting … self-promotion.

So, Hugh, you can imagine my reaction to your comments at the NRB convention. My personal, direct experience with you, your employees, and your fans stands in direct contradiction to your words. There are several expressions concerning, and descriptive adjectives for, those who say something yet do the exact opposite. No need to list them here; we all know them very, very well.

Instead, let’s try this again.

No, I’m not asking to appear on your show, although I wouldn’t mind the opportunity to spread the word about my podcast playing the music by the artists I wrote about in the book. Instead, I bring to your attention two of these artists with new projects currently going on. Daniel Amos (which is a band led by one Terry Scott Taylor) is prepping a deluxe rerelease of its Horrendous Disc album, one of the true watershed moments in Christian rock. Have Terry on your show. He’s wise and witty. It will be a treat for you and your audience.

Veteran Christian alternative rockers The Choir are currently running a campaign to fund both rereleasing its 1989 Wide Eyed Wonder album and record a new album. They’re also going on tour in a few days. Have the band’s drummer and lyricist Steve Hindalong on your show. He’s wise. Ask him about the band, and about how he cowrote “God of Wonders” which doubtless you’ve sung during Sunday worship. Like Terry Scott Taylor, it will be a treat for you and your audience. And there are many, many more artists who would be positive additions to your show.

Now before you say that’s too much gospel, Hugh, I remind you that Dana Loesch had Christian rapper Lecrae on her show. Is not her show 99.44% politics? Yet she is unafraid to have bold Christians on her show, and equally unafraid to proclaim her own beliefs. Last time I checked, it hadn’t cratered her career. I remember turning on Fox and Friends one morning not too long ago and there was Casting Crowns. Seen FOX News’ ratings lately?

I have no doubt you’ll ignore this, Hugh, just as I have no doubt your sycophant fans will rant and rail against me for once again besmirching your hallowed name. I’ve quite given up caring about such things. It is of primary, if not sole, importance to promote the artists devoting, far more often than not at tremendous personal cost, themselves to serving Christ through music. The world has enough political talk, Hugh. The world has very few political talkers willing to openly embrace and promote the God so many of them say they serve by openly embracing and promoting Christian rockers new and veteran. You have the opportunity. Take hold of it.

Dismiss me as you will. Dismiss God’s servants at your own peril.

As I’m writing this, many millions of people around the world are watching the Academy Awards. I know I’m not alone in “boycotting” the Oscars, though calling it a boycott is silly. It’s simply a choice. To say it’s a boycott is to belittle the efforts made by those who actually oppose the actions of organizations in sustained and systematic fashions. Like many Americans, I’m just deciding to do something else with my time.

I’ve ranted in the past about avoiding Hollywood. I didn’t watch the Golden Globes and I’ve called for conservatives to find entertainment alternatives, but this is a little different. The Oscars are the big show. It’s the one that is viewed around the world more than any other entertainment awards event. This year, people in other countries will watch the awards and will be able to come to only one conclusion: America hates its President and is falling apart as a result.

They don’t know the situation. Because they’re not bombarded with American news the way we are, their limited exposure means they have to form their conclusions from an incomplete data set. Watching the Oscars, they won’t realize that a large portion of Americans support President Trump. They’ll watch Hollywood liberal after Hollywood liberal bash Trump. They won’t hear a single one say anything positive about the President and if by some miracle they do (I don’t think Clint Eastwood or James Woods are winning anything this year), they’d hear the crowd throw out loud boos. This is Hollywood honoring Hollywood and disgracing the nation that gave them their opportunities.

I mentioned that what many of us are doing during the Oscars should not be called a boycott. If the ratings of this Academy Awards are low (which I doubt), it won’t faze any of them. The only way that they can be made to care about the absurdity of their liberal message is for their actual dollars to drop. That means it’s up to conservatives to stop watching. Sounds hard. It will be. Heck, I’m a movie fan. I moved out to the LA area because I wanted to get into the movie business a decade ago. Things change and I’m glad I didn’t follow through with that particular goal, but one thing is now clear to me. I cannot allow my hard-earned dollars to be used to promote the leftist agenda that spews forth from the people that Hollywood supports.

That’s not to say I won’t see any movies at all. I’m just going to be very selective. I’m going to support the stories that have conservative leanings. I’ll support directors and actors, few as they may be, who are unabashedly conservative. I’ll read more books, watch less television, and spend my downtime educating myself on YouTube with conservative and/or Christian messages.

In other words, I’m done with liberal Hollywood.

Leftists in Tinseltown will continue to embarrass our nation until we let them know that enough is enough. That doesn’t mean a Tweet or a blog post. The only way they’ll listen is if we hit them in their paychecks. The only way we can hit them in their paychecks is to stop spending portions of our paychecks to support them.

Ran into Evan Sayet on CPAC day one and he told me about a screening of his new video Evan Sayet a Deplorable Mind:

I’ve been missing events right along but I happened to get back to the room the next day in time to join Stacy & Cynthia in the viewing.

The act looked like a the show I covered in Boston in it’s final form

After the show Evan took questions on camera, my apologies for the poor lighting

As the video says the dvd will be available any day but is not up yet however you can purchase the Kindergarden of Eden here:


DaTechGuy at CPAC 2017 (all videos not blogged about yet here). Be aware that due to the sheer volume of videos to upload if I interviewed you it might be days before you see it here

2/25
DaTechguy Meets Students TBS & Fake news at Donald Trump’s CPAC 2017 Speech
Voices of CPAC 2017 Author Matt Margolis On DaTechGuy’s Midnight Court

2/24
Voices of CPAC 2017 Tom Wenzel of EWTN & Alberto Calamaro of Radio Maria
The Media Narrative Hunt at CPAC
Voices of CPAC 2017 Donald Trump Single lines from CPAC speech as he makes them
Voices of CPAC 2017 the Indefatigable Kira Innis

2/23
Voices of Cpac 2017 Steve & Shen, Ed Morrissey of Hotair and a Kellyanne Conway Cannoli Story
Voices of CPAC 2017 Radio Row Sharon Angle & Rick Trader Daria Novak & Frank Vernuccio
CPAC 2017 Photos & Brief videos from the Sean Hannity Taping

Voices at CPAC 2017 Advocates: Melissa of Able Americans, Matt of American Majority
Voices at CPAC 2017 Yvonne (from almost #NeverTrump to Evangelical Coordinator) & Michael
Voices of CPAC 2017 Joe on Life behind the Berlin Wall

2/22

Voices at CPAC 2017 Liz a Cook County Republican (and Kasich delegate)
CPAC 2017 First Interviews Theresa an Attendee and Rob Eno of Conservative Review

2/21
Some Quick pre-cpac video and thoughts

2016 Fabulous 50 Blog Awards

If you like the work I have done at CPAC and wish to support it (along with paying for the ER & Surgery bills for DaWife’s illness that our insurance doesn’t anymore (thanks Democrats and Obamacare!) please consider hitting DaTipJar




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Something very interesting happened to me at CPAC yesterday.

I had gotten up early for a vendor breakfast but managed to forget where it was held. After some failed searches I decided to check their booth but that required passing through the secret service check and once I did that not only was the booth empty (likely all at the breakfast) but I was disinclined to go back and have to pass through again.

So after grabbing a few interviews outside (which I’ll post later) I went into the media room. The place was packed and it was so bad that the coffee area was filled with people so we had a crowd behind us and in front of us.

I went to the line and started interviewing students 1st a group of college students going to school in VA

And then a pair of students from North Carolina

At this point batteries were getting low and the speech was near the start so I went back to my spot in the area. From the media area meaning I could see the big screens but not the stage.

When the president came and started speaking since I couldn’t see the stage I took a pan of the crowd.

I decided at this point since uploads were crawling and any post I might have scheduled on interviews would get few views during the Trump speech I decided to do a post with some highlights, writing lines as I heard them and updating as I went along. Seeing that both of my cameras were nearly out of power, after taking a shot of the screen of the president speaking I took out my batteries from so they could start charging. That proved to be an unfortunate coincidence given what happened next.

As I was trying to type in what the President said as he said it a young man came up to me and kneeled between me and the Yahoo people who were set up to my left in the aisle (I was in the end seat) and sought my attention.

I immediately noticed that he had a badge that said TBS. This seemed a tad odd to me since TBS is basically a re-run station with the exception of a few original comedies. I concluded that he must be from the Samantha Bee show as it to my knowledge was the only thing resembling news on the network (although for my money “resembling” is overstating the matter).

He then asked me what I thought was one of the oddest questions about a computer I’d ever heard inquiring if my laptop included the game solitaire.

Being old enough to remember the introduction of the commercial laptop and knowing that every laptop for the last 20 years included solitaire I thought the question foolish, but I wondered why he would ask so I answered:
“Well my wife bought me it for Christmas so I really don’t know but I imagine so.”

He then asked the question that made everything clear:

“Could you bring it up, we want a shot of someone playing solitaire during Donald Trump’s speech.”

My initial answer reaction was innocence

“But that would be dishonest.”

and then anger saying something like: Are you seriously asking me to stage something dishonest so you can report fake news?

He walked away but I was suddenly very angry. I understand that I dress rather eccentrically so he might have figured this guy was a fellow traveler but the very idea that he would ask me to help him do something dishonest and dishonorable to create fake news to hit the President. Nor did the irony that this happened just a few minutes after President Trump hit the media for staging stuff fail to hit me.

I was mad and updated my open post thus:

[Would you believe a guy from TBS asked me if I had solitaire on my computer and asked me to bring it up so he could get a shot of someone playing solitaire during Trump’s speech. HOW DARE HE! HOW DARE HE EXPECT ME TO SET UP A PHONY SHOT FOR A PHONY MEME! That’s so dishonorable!]

and added this to the title:

UPDATE TBS asks me to setup a fake meme how DARE they!

I was angry and realized I needed to let people know what just happened. I immediately walked over to the four students I had just interviewed and told them what had happened. I was really angry and kinda loud (ironically a blogger thought I was chewing them out for heckling the press and tweeted that out. I saw that tweet three hours later and tweeted what really happened and he apologized and corrected himself promptly


I was so impressed I followed him on the spot but that was a few hours later.)

I then went straight over to Cynthia Yockey and Emille who I’m sharing a room with. They were two tables down. Cynthia had been kind enough to bring me my battery stuff to charge my cameras when she came down so I knew where they were and told them what happened. I then saw Kurt Schlichter & Stephen Kruiser behind them and told them on the spot, I saw Ed Morrissey but he didn’t have time as he was trying to live blog the President’s speech.

Then it hit me that I had stopped doing that and headed back to continue but I was still angry.

When everything was done I saw Byron York who had said hi earlier and called him over to tell him what happened as I was packing up and mentioned it to Yid with Lid. A pair of CPAC people asked about this wanted to know who the guy was and A young lady from Breitbart came over and wanted some details on the story (ironically she was a friend of Yvonne who I had interviewed on day 1) after a few false starts we found a suitable place with less noise and I told my story.

Unfortunately I had fixated on the TBS badge and not the features of the fellow although I thought I would be able to recognize him if I saw him again, not having the batteries in the camera really hurt me here.

I was however running late for Anita Moncrief’s Innis dinner which I had promised to attend at 12 so I excused myself. I had forgotten the location which was on my older laptop back in the room where my uploads were continuing from so after some false started I ran back to my room up, got the location while Stacy was typing next to me and headed out.

I ran into Patrick Howley on the way who wanted the story for the Daily Caller. I told him what happened and he asked if he could us my laptop to write it. I declined saying I might need it at the event but he was welcome to go to my room and use my other one, Stacy could let him in. He asked for the key but I told him to knock as I wasn’t comfortable with loaning the key to a room in someone else’s name out.

When I got back I got a call from Alex Pfeiffer who was doing the writing proper and answered any questions he had. That’s when I noticed those other tweets. Additionally Stacy McCain had Fox news on with Shep Smith who was going on about how the press doesn’t make fake news, that pissed me off so I tweeted this:

Now you might be asking yourself: Hey DaTechGuy why didn’t you tweet or gab this out on your new laptop?

Well it’s because until CPAC I had been using the new laptop exclusively for playing Civilization VI. In fact DaWife bought it based on my son’s specs or optimum gameplay. Not only did I not have Gab or twitter on it, but I hadn’t set up email their either so if I tried to reset my passwords I wouldn’t see the emails.

Remember I’m “DaTechGuy” because I used to do Tech Support and majored in computers in the Fortran/ccl years and worked at Raytheon with clearance during the cold war, not because I like gadgets. I haven’t even connected the phone dawife bought me to the net because I don’t want hackable data on my phone, I just want the ability to make calls while traveling.

The first place I saw the story reported was at Jeff (Yid’s) site

And the president was right. After his speech was over, my friend Peter, DaTechguy wrote:

Would you believe a guy from TBS asked me if I had solitaire on my computer and asked me to bring it up so he could get a shot of someone playing solitaire during Trump’s speech. HOW DARE HE! HOW DARE HE EXPECT ME TO SET UP A PHONY SHOT FOR A PHONY MEME! That’s so dishonorable!

I wonder if the TBS guy made the request as a favor because TBS is owned by the same company as CNN.

I then saw the story at the daily caller titled:
Blogger Claims TBS Tried To Stage Fake News At CPAC
Alex managed to spell my name wrong “Injimi” and I didn’t like “claims” at first but after thinking about it, without the name of the person and not having been there it was not an unfair characterization. However he did manage to confirm a suspicion of mine:

TBS does not have a news program, however, the network hosts the popular news satire show “Full Frontal with Samantha Bee.” A CPAC spokesman told TheDC that TBS was credentialed for the event and in relation with the Samantha Bee show.

and I liked being called a “popular” blogger. One hopes people like the site but it was nice to hear someone else write it.

TBS wisely refused comment, a denial risks the story being corroborated by any of the folk next to me like the Yahoo crew, while admitting it would confirm unethical behavior.

Now as anyone who reads this site knows I was a Cruz Supporter who endorsed Trump just before the convention and rather famously doubled down on my support of him after the Bush tape came out. If you are a member of the left who doesn’t know me and you choose not to take my word without further evidence that’s certainly your prerogative and not an unreasonable decision to make.

Although I would inquire of the Samantha Bee show and ask if they did this or not if I was you.

As for myself, I didn’t care for her before and I care for them less now.

A postscript. as I was returning from the Innis event I ran into the college kids I interviewed. They were downcast, they had been interviewed by a leftist site and figured they had been played by them to make them look foolish and asked my advice. I told them if approached by anyone you don’t know or trust in that way agree to interviews on the condition that you are able to film them as they film you.

If they decline presume dishonesty and decline as well. I’d certainly give that advice to anyone approached by TBS at CPAC or elsewhere.

Update: Instalanche Thanks Glenn, it will take a few weeks to post all the interviews I did at CPAC but you might want to check out this post about a historic CPAC 1st and this one about the latest comedy from Evan Sayet that the late night hosts will ignore.


DaTechGuy at CPAC 2017 (all videos not blogged about yet here). Be aware that due to the sheer volume of videos to upload if I interviewed you it might be days before you see it here

2/25
Voices of CPAC 2017 Author Matt Margolis On DaTechGuy’s Midnight Court

2/24
Voices of CPAC 2017 Tom Wenzel of EWTN & Alberto Calamaro of Radio Maria
The Media Narrative Hunt at CPAC
Voices of CPAC 2017 Donald Trump Single lines from CPAC speech as he makes them
Voices of CPAC 2017 the Indefatigable Kira Innis

2/23
Voices of Cpac 2017 Steve & Shen, Ed Morrissey of Hotair and a Kellyanne Conway Cannoli Story
Voices of CPAC 2017 Radio Row Sharon Angle & Rick Trader Daria Novak & Frank Vernuccio
CPAC 2017 Photos & Brief videos from the Sean Hannity Taping

Voices at CPAC 2017 Advocates: Melissa of Able Americans, Matt of American Majority
Voices at CPAC 2017 Yvonne (from almost #NeverTrump to Evangelical Coordinator) & Michael
Voices of CPAC 2017 Joe on Life behind the Berlin Wall

2/22

Voices at CPAC 2017 Liz a Cook County Republican (and Kasich delegate)
CPAC 2017 First Interviews Theresa an Attendee and Rob Eno of Conservative Review

2/21
Some Quick pre-cpac video and thoughts

2016 Fabulous 50 Blog Awards

If you like the work I have done at CPAC and wish to support it (along with paying for the ER & Surgery bills for DaWife’s illness that our insurance doesn’t anymore (thanks Democrats and Obamacare!) and help make up for the two weeks of unpaid work I’ll miss during her recovery please consider hitting DaTipJar




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I shot a few photos and brief videos at the Sean Hannity Taping:

Here is one of the crowd

and a short gallery of stills of them

I also shot a pair of stills as Kellyanne Conway entered

and two videos of exchanges with her during Sean’s interview:

You might notice the different video qualities that’s because I was shifting cameras as batteries were dying and other camera brought into service (I have three with me) When one dies a new one goes into place while batteries charge in my room.

Camera 3 has no zoom but as it’s the one I used when I first questioned candidate Trump on the trail, I’m attached to it sentimentally.

DaTechGuy at CPAC 2017 (all videos not blogged about yet here)

2/23
Voices at CPAC 2017 Advocates: Melissa of Able Americans, Matt of American Majority
Voices at CPAC 2017 Yvonne (from almost #NeverTrump to Evangelical Coordinator) & Michael
Voices of CPAC 2017 Joe on Life behind the Berlin Wall

2/22

Voices at CPAC 2017 Liz a Cook County Republican (and Kasich delegate)
CPAC 2017 First Interviews Theresa an Attendee and Rob Eno of Conservative Review

2/21
Some Quick pre-cpac video and thoughts


2016 Fabulous 50 Blog Awards

If you like the work I have done at CPAC and wish to support it (along with paying for the ER & Surgery bills for DaWife’s illness that our insurance doesn’t anymore (thanks Democrats and Obamacare!) please consider hitting DaTipJar




Olimometer 2.52

Please consider Subscribing. You can be listed as a Friend of DaTechguy blog for as little as $2 a week. If only 130 of the 209K+ unique visitors who came in 2016 .07% subscribed at the same levels as our current subscription base we would make our current annual goal with ease. If we could boost that number to 260 I could afford to cover major events in person all over the country.

Remember all subscribers get my weekly podcast emailed directly to you before it goes up anywhere else.


Choose a Subscription level