By John Ruberry

Last night I ended another binge-watching venture, this time it was Ozark, a Netflix original series starring Jason Bateman. Season one, consisting of ten episodes, was released in July and Ozark has already been renewed for a second run.

Marty Byrde (Bateman) is a financial planner who makes a deal with the devil, actually a Mexican drug cartel, to launder its cash. So, Byrde quietly toils away and the cartel graciously thanks him for his efforts and all is well?

Uh, no.

Byrde and his wife Wendy (Laura Linney) are the typical smug Chicago area couple who I interact with regularly. Wendy is proud of her political activism, she even worked on Barack Obama’s state Senate campaigns, although it’s difficult to say why she was needed as Obama ran unopposed in all three of his Democratic primary races and the district he represented was far more Democratic than Wyoming is Republican. Perhaps Wendy was the scoundrel behind knocking all of Obama’s primary opponents off of the ballot. If so, it fits her character. Interestingly, there is an early scene of Marty inspecting office space Chicago’s Trump Tower.

Bryde’s handler, Camino Del Rio (Esai Morales), discovers $8 million in cartel cash is missing. After Byrde’s co-workers are well, liquidated, in an act of desperation Byrde convinces “Del” that Lake of the Ozarks, Missouri, which has “more coastline than the state of California,” is a far better place than Chicago to launder his dirty money because it’s not crawling with federal agents.

So seemingly quicker than it takes me to check out of a hotel room the Byrdes and their children, 15-year-old Charlotte (Sofia Hublitz) and Jonah (Skylar Gaertner) do a reverse-Beverly Hillbillies and relocate to the Lake of the Ozarks, one of several places in America known as a Redneck Riviera.

The Byrdes nearly immediately confront a family of small-time criminals, the Langmores, who live in–wait for it–run-down trailers. They are raising two bobcats. Just inside the door of one of the trailers is a a poster of a topless woman.

And like Brewster in the several Brewster’s Millions movies, Marty finds that quickly spending millions, or laundering it, is harder than he thought it would be, particularly in the rural location he chose. An even greater challenge for the Byrdes is a mysterious family of big-time criminals we meet later on. For comic relief, mostly, is the dying old man who lives in their basement–he is convinced Obama is a Muslim.

Even before the move the Byrde’s marriage is on the rocks–and the tension of a disintegrating family operating an illegal enterprise is reminiscent of Breaking Bad. The graphic violence is reminiscent of Sons of Anarchy. And while no genitalia is shown, the sex scenes are also quite graphic. So this family drama is by no means appropriate family viewing. Jason Bateman has come along way since his NBC sitcom Silver Spoons.

Blogger outside Chicago’s Trump Tower

I don’t expect there to be a tourist boom to Lake of the Ozarks because of the show, as the redneck cliches and the rampant lawlessness of Ozark will serve as a definite buzz-kill for travel-minded families. The Northwoods region’s vacation dollars are secure. Although outside of a few scenes in downtown Chicago, most of the show is filmed in a reservoir area in northern Georgia. And some of the Chicago scenes are laughably wrong–where do all of these hills come from? And there are no hills in Morris, Illinois either–a wonderful town I’ve visited many times, by the way. Here’s another inconsistency: The Byrdes’ suburban home was in Naperville. So why does their Honda Odyssey have an expensive Chicago vehicle sticker? An astute financial planner wouldn’t waste $136 on a useless decal.

Yes, I’ll be back for the next season. By then end of that one Ozark may have shed the shadow of Breaking Bad.

John Ruberry regularly blogs in the Chicago area at Marathon Pundit.

Characters in Broadchurch

By John Ruberry

A few days ago I finished watching season three of Broadchurch, a British mystery series which is broadcast in the United Kingdom on ITV–and here on BBC America–starring David Tennant as Detective Inspector Alec Hardy and Olivia Colman as Detective Inspector Ellie Miller.

Tennant of course is best known as the Tenth Doctor–and the second one of after its revival–in Doctor Who. Except for the first half of the “Tooth and Claw” episode, Tennant uses an English accent as the Doctor, here his natural Scottish accent is utilized for his Hardy character. One of the supporting characters in Broadchurch is Jodie Whittaker, who will accede to the Doctor’s role in the next Christmas episode of Doctor Who and become the first female Doctor, to the horror of some longtime fans, including the founder of the blog you are reading now.

The creator–and sole screenplay writer, save for one episode that he had a co-writer for–of Broadchurch is Chris Chibnall, who has been executive producer of Doctor Who since last year and who will be showrunner for the feminized edition next season. Chibnall was a co-producer and screenwriter for Torchwood, the sexualized “grown-up” spinoff of Doctor Who.

The fictional town of Broadchurch is where this particular show is set, it sits on the Jurassic Coast of Dorset in southwestern England. Broadchurch is a tightly knit–perhaps too much so–small town that, in season one, is wracked by the murder of 11-year-old Danny Latimer (Oskar McNamara). Whittaker portrays his mother, Beth, and Andrew Buchan plays his father, Mark. The suspects are numerous and there are plenty of plot twists to keep you on the edge of your couch for all eight episodes. Season two, which also consists of eight episodes, splits time between being a courtroom drama and the re-opening of the investigation of a murder and disappearance in Sandbrook, which presumably is near Broadchurch. The botched handling of that investigation is what led Hardy to take the DI position in Broadchurch, which Miller assumed was already hers.

In the third season, which is said to be the final one, Hardy after time away from Broadchurch, returns and again is teamed with Miller. Their relationship has always been tense–but by this time they carry on like elderly spouses, albeit there is no physical side of it. When Trish Winterman (Julie Hesmondhalgh) calls the police a few days after being raped at the 50th birthday party of a friend and co-worker, Hardy and Miller oversee another investigation that tears the town apart. This season is just six episodes long.

There are many fabulous performances in Broadchurch, beginning of course with Tennant and Colman, but also by Hesmondhalgh, Eva Myles (Gwen Cooper in Torchwood), David Bradley (Walder Frey in Game of Thrones and the new First Doctor in Doctor Who), Arthur Darvill (a onetime Doctor Who companion), who portrays a vicar attempting to heal the town of its wounds while preaching to mostly empty pews, as well as Carolyn Pickles. She plays a rarity–an honest journalist searching for the truth who goes out of her way not to hurt anyone.

I didn’t include Whittaker in that list, but perhaps not much was asked for her by directors of Broadchurch, although as the mother of a murdered child, that doesn’t make very much sense. Based on what I saw in the program, all the performers listed in the previous paragraph would have been better choices as the Thirteenth Doctor, not that I would expect Tennant to return to Doctor Who. My choice would have been Bradley as the next–the first shall be the latest–Doctor. But perhaps a septuagenarian as a lead character in a classic television show is too broad of a bridge to cross for our youth-worshipping culture to cross.

All three seasons are top-notch, but I’ll give my nod to the first one, which was re-done as Gracepoint for Fox in the United States. I haven’t seen that one and from what I’ve heard, it isn’t worth my time or yours, despite Tennant reprising his role as Hardy and Chibnall’s involvement.

Broadchurch is available on DVD, on Amazon, and Xfinity On Demand. Seasons one and two can be viewed on Netflix.

John Ruberry regularly blogs at Marathon Pundit.

By John Ruberry

Netflix binge watching just brought me to Scotland’s remote Shetland Islands for the BBC crime drama Shetland, a series that is based upon books by Ann Cleeves.

Stoic Director Inspector Jimmy Perez (Douglas Henshall), a Shetland native who moved back to the islands from Glasgow after the death of his wife, calmly investigates the archipelago’s murders–and as with many crime shows with a rural setting, such as Longmire, if added up the murder rate in Shetland would rival that of Baltimore. But who will tune in to watch a series about sheep rustling? Besides sheep rustlers, of course.

There have been three seasons so far–a fourth is currently under production. The first season, a two-episode entry entitled “Red Bones,” the series pilot, involves a World War II secret uncovered by an archeological dig, while Shetland’s annual winter celebration, the Nordic-inspired Up Helly Aa, takes place. “Red Bones” was released in 2013, amazingly there is a Donald Trump reference in it.

There are three two-episode storylines in Season 2. There are many, I suspect, in the Shetlands, so not surprisingly an eccentric hermit drives the action in “Raven Black.” The islands’ energy industry inflames tempers and worse in “Dead Water.” The final two-parter, “Blue Lightning,” set mostly on Perez’ boyhood home of Fair Isle, tells us that not even avian research centers are immune from homicide. This is the weakest effort in the series; the story seems stretched out, like a mediocre rock double album that would be a great one as a single disc release. And for much of “Blue Lightning” everyone on Fair Isle is stranded there because of a storm. Except viewers see no evidence of a storm. The BBC doesn’t have stock footage of crashing waves on rocks?

Fortunately Shetland bounces back for for a six-part episode for Season 3, its best. Just as I was wondering why the narcotics trade–a major blight in all European rural areas, particularly far-northern ones–was absent from the series, there it is. An incident on the Shetland ferry brings Henshall and his assistant, Detective Sergeant Alison ‘Tosh’ MacIntosh (Alison O’Donnell) to Glasgow–where much of Shetland is filmed–where they untangle a nine-year-old sexual assault that is linked to organized crime, obstruction of justice, and a senior citizens home.

Rounding out the cast is Steven Robertson as Police Constable Sandy Wilson, Erin Armstrong as Perez’ daughter, Mark Bonnar as her biological father, Anne Kidd as a forensic pathologist, and Julie Graham as Perez’ boss.

The accents are thick–so be prepared to use the rewind button on your remote or to switch on the closed captioning feature on your television while viewing Shetland. Unless of course you are Scottish.

Henshall is not just the lead actor but also the most accomplished one in Shetland. For his efforts he received the 2016 BAFTA award for best actor in television.

As expected, the cinematography is splendid, even though other parts of Scotland, those with treeless hills, often substitute for the Shetland Islands. Watching the series has me pining for a trip to Scotland and of course, the Shetlands.

But watching Season 4 will happen first for me.

In addition to Netflix, Shetland is also available on Amazon.

John Ruberry regularly blogs at Marathon Pundit.

By John Ruberry

“So you’ll be paying yourself to build a railroad with government subsidies.” Sen. Jordan Crane to Thomas “Doc” Durant.

“These are exciting times. You and I are opening the way for the greatest nation the world has ever seen.” Major Augustus Bendix to Cullen Bohannon.

“See him driving those golden nails
that hold together the silver bars
That one day’s gonna take us to the stars
cos he’s the man who built America.”
Horslips, from their song, The Man Who Built America.

“A new chapter of American greatness is now beginning. A new national pride is sweeping across our nation. And a new surge of optimism is placing impossible dreams firmly within our grasp. What we are witnessing today is the renewal of the American spirit.” President Donald J. Trump to Congress last week.

Last week I completed my latest binge-watching endeavor, Hell on Wheels, an AMC show that ran from 2011-2016 that is available on Netflix and on Amazon.

The building of the American transcontinental is the driving force of the plot of this series–the Union Pacific heading west from Omaha and the Central Pacific heading east from Sacramento.

The transcontinental railroad exemplified America at its best–getting the job done 16 years before Canada and 36 years before Russia. It also exemplified America at its worst. Racism and corruption–the Crédit Mobilier outrage was one of our nation’s worst political scandals and it forever tainted this monumental achievement.

The Civil War purged America of slavery, the nation was no longer “a house divided against itself,” but in 1865 the United States was in a way like an uncompleted jigsaw puzzle, the east and west coasts, the easy part, were settled but much of the middle–the Great Plains and the Rocky Mountains, still needed to be filled in.

Hell on Wheel’s main character is Cullen Bohannon (Anson Mount), a former slaveholder and Confederate cavalry officer who travels to Nebraska Territory to hunt down Union soldiers who murdered his wife and son in Mississippi. Despite that ruthlessness–make that because of that ruthlessness–Union Pacific president Thomas “Doc” Durant (Colm Meaney) takes him under his wing, although their relationship is mostly turbulent throughout the run of the series.

Bohannon isn’t the only character scarred by the turmoil of mid-19th century America. Elam Ferguson (Common) and Psalms Jackson (Dohn Norwood) are freedmen who quickly learn that freedom from slavery doesn’t mean equality. The Reverend Nathaniel Cole (Tom Noonan) and his daughter Ruth (Kasha Kropinski), suffer from pangs of guilt remaining from Bleeding Kansas. The Rev. Cole’s most prominent convert to Christianity, Joseph Black Moon (Eddie Spears), is estranged from his father, a Cheyenne chief. The most compelling character on the show, Thor “The Swede” Gunderson (Christopher Heyerdahl), is a Norwegian immigrant and former Union army quartermaster–a man who says he is good with numbers, but after his barbaric incarceration at the notorious Andersonville prisoner of war camp, he ascertained that “I had to control people like I control numbers and I learned to practice a sort of immoral mathematics.”

The Swede is Hell On Wheels’ principal villain and if there is ever a Villains Hall Of Fame built, then he belongs as a charter member.

Another intriguing HoW character is Irish immigrant Mickey McGuinnes (Phil Burke), who like Durant, finds a way to make himself a success after starting with nothing. One of his workers is a tattooed former prostitute and a Jack Mormon, Eva (Robin McLeavy). She was captured by Indians after her family’s wagon train was waylaid.

The final season of Hell on Wheels brings in the storyline of the Central Pacific. Movie posters for The Good, the Bad, and the Ugly boasted, “For three men the Civil War wasn’t hell. It was practice!” The Chinese laborers on the Central Pacific can be forgiven for having a similar dismissive view of our Civil War, which killed 600,000 Americans. Emotional scars from the Taiping Rebellion plague many of the Chinese characters. That conflict, which was actually a civil war between Imperial China and a man claiming to be the brother of Jesus Christ, probably killed 20-30 million people–after the famine deaths are added in. Some estimates bring the death total as high as 100 million. If that last figure is correct, then the Taiping Rebellion was the deadliest war ever.

Life is cheap in both the Union Pacific and Central Pacific camps–both are served by brothels, although opium is offered at the latter instead of whiskey.

Durant was a real person, although his portrayal in Hell on Wheels is largely fictional. Other historical figures appearing include Wyoming’s territorial governor John Campbell (Jack Weber), President Ulysses S. Grant (Victor Slezak), and Brigham Young (Gregg Henry). Eva’s character was based on an actual woman, as was the man in the show who survived a scalping. He carries his scalp in a bottle of alcohol–and offers paid listeners a recounting of his ordeal. The phrase “Hell on Wheels” is a real one in this context, it’s what the tent cities that followed the construction of the Union Pacific were called.

Blogger walking the rails

In the penultimate HoW episode, there is a prescient moment as black and Chinese workers rush to finish the road in 1869. Above them you see the moon. One hundred years later, yes, in 1969, “the greatest nation the world has ever seen” reached the moon. No country has repeated that feat or even attempted it.

Yes, American exceptionalism is real.

If you enjoy westerns, you’ll find Hell on Wheels worth your while. But if you are looking for romance–then look elsewhere. Mount is a fine actor but love encounters are not his long suit. And what was the point of his sex scene on top of a table with fused nitroglycerine on it?

As with most westerns, the cinematography is first-rate–with Alberta filling in capably for Nebraska, Wyoming, Utah, and California. It would be better if movies about America would be filmed here, but that’s another subject for another time.

John Ruberry regularly blogs at Marathon Pundit.

By John Ruberry

A couple of weeks back I completed my latest television binge-watching quest, in this case it was the neo-western Longmire.

Walt Longmire (Robert Taylor) is the Rainier Beer-drinking, unshaved sheriff in the fictional county of Absaroka in Wyoming. He’s a widower putting his life and career back together after the recent death of his wife. It’s easy to imagine Gary Cooper paying this role. His deputies are the loyal Victoria “Vic” Moretti (Katee Sackhoff), Jim “the Ferg” Ferguson (Adam Bartley), and not-so-loyal Branch Connally (Bailey Chase), who runs against Longmire for sheriff.

The series is based on the Walt Longmire mystery books by Craig Johnson.

Originally an A&E show, the network, despite high ratings for the show, cancelled it after the third season. Netflix picked it up, airing the next two editions. It has been renewed for a sixth and final season. The books are set in Buffalo, which is coincidentally in Johnson County, Wyoming. In the show Durant is the county seat of Absaroka. So assuming that Johnson is Absaroka, that would give Longmire’s county 8,500 residents. And since, especially in the first four seasons, there is a murder in almost every episode, that could give this rural county a homicide rate higher than that of Chicago, perhaps, yes, even higher than the small Maine town where the television series Murder, She Wrote, was set. Recurring Longmire character Louis Herthum, has experience with this scenario, as he played a cop in Murder She, Wrote.

Also in Absaroka is a Cheyenne Indian reservation, which isn’t in Walt’s jurisdiction. But just as Captain Kirk was never supposed to violate the Prime Directive in Star Trek, circumstances often force Longmire to pursue police work on “the rez,” which for the most part annoys Mathias (Zahn McClarnon), a Bureau of Indian Affairs police chief. His predecessor, Malachi Strand (Graham Greene), was jailed after Longmire busted him for extortion.

By the third season the murder-a-week package is less relied upon as the events surrounding the death of Longmire’s wife, the release of Strand from prison, the building of a Cheyenne casino, and development projects in Absaroka driven by Deputy Connally’s father, Barlow (Gerald McRaney), collide with Walt and his best friend, Henry Standing Bear (Lou Diamond Phillips), the owner a local bar and restaurant. A Native American Longmire regularly tangles with is casino operator Jacob Nighthorse (A Martinez). Also captured in this web is Longmire’s daughter, Cady (Cassidy Freeman), an attorney who is more like her father than either character realizes, as she also discovers that doing the right thing is often an insurmountable challenge in an flawed world.

John “Lee” Ruberry of the
Magnificent Seven

I thoroughly enjoy Longmire and I’m eagerly awaiting season six, as season five concluded with things in a very complicated state. As a western, the cinematography is of course superb, although the show is filmed in New Mexico, not Wyoming. Starting of course with the lead character, the acting is superb, and the story lines generally contain much depth. Although I am curious why Phillips’ Standing Bear character, like those in True Grit, particularly in the Coen Brothers remake, never uses contractions in his speech.

If you prefer westerns that aren’t “neo,” I still recommend that you give Longmire a look. Just imagine cowboy Walt riding a horse instead of driving a Ford Bronco, and replace moonshine with narcotics. And after all of these years there is still conflict between whites and Indians. And vigilantism is also a welcome plot development in any western.

John Ruberry regularly blogs at Marathon Pundit.

jonathan-strange-and-mr-norrellBy John Ruberry

It’s time to take a break from politics.

Many times while surfing on Netflix I came across a recommendation to watch the seven-part 2015 BBC One miniseries, Jonathan Strange & Mr Norrell, which is described as such: “In 1806 ambitious magician Norrell leads a revival of practical magic in England and ignites a fierce rivalry with bold young conjurer Strange.” If that sounds like a dopey show, well, that’s what I thought too. But I yielded to the luring and tuned in. I’m grateful that I did.

Magic in the alternative universe of Strange and Norrell is not smoke-and-mirrors and rabbits being pulled from hats, it’s a neglected scientific discipline that for unexplained reasons was abandoned in England in the early 16th century. But Gilbert Norrell (Eddie Marsan), a magician from York, becomes a national sensation when he brings to life the statues of  York Minster Cathedral and, in his only use of dark magic, brings back from death the future wife of a prominent member of parliament, Lady Pole (Alice Englert).

But just as in another alternative universe where humans can sell their soul to the devil, the dark side, in this case a mysterious being known as the Gentleman (Marc Warren), sabotages the transaction and establishes Norrell’s second rivalry.

Norrell offers his services to fight the French and their allies in the Napoleonic Wars, although only Jonathan Strange (Bertie Carvel) directly utilizes magic at the side of the Duke of Wellington (Ronan Vibert), who is initially skeptical of him. Included in the broad historical sweep of Strange and Norrell is the blind and mad King George III, and although not by name, the anti-industrial Luddites.

The rest of the cast is wonderful, particularly Ariyon Bakare as a mysterious butler and Vincent Franklin as the duplicitous promoter of Norrell and Strange. The special effects, with the exception of the ravens in the last two installments, are first rate.

Jonathan Strange & Mr Norrell is a welcome diversion from the usual, and it’s a particularly good series for binge-watching.

Besides Netflix, the mini-series is available on many on-demand systems and on DVD.

John Ruberry regularly blogs at Marathon Pundit.

by baldilocks

One of the many reasons that Star Trek: Deep Space Nine was my favorite of the several Trek incarnations was its pilot episode “Emissary.” In it, we first meet Commander Benjamin Sisko, a widower, the father of a young son, Jake, and previously, the first officer of the USS Saratoga which was destroyed in Trek’s infamous Battle of Wolf 359. His wife, Jennifer, has been dead for three years—killed at Wolf 359–and he has languished at a desk job since that time. In the beginning of the series, he takes command of Space Station Deep Space Nine without much enthusiasm, and contemplates retiring from Starfleet when his task at the station is finished.

Fast forward to the pivotal scene of the pilot: here is Sisko as he teaches the prophets—a group of non-linear alien beings who have abducted him and who use the appearance of person and scenarios which are familiar to him—about linear existence using his favorite game as a metaphor.

[On a baseball field]

Avery Brooks as Benjamin Sisko
Avery Brooks as Benjamin Sisko

BATSMAN-Alien: Aggressive. Adversarial.
SISKO: Competition. For fun. It’s a game that Jake and I play on the holodeck. It’s called baseball.
JAKE-Alien: Baseball? What is this?
SISKO: I was afraid you’d ask that. I throw this ball to you and this other player stands between us with a bat, a stick, and he, and he tries to hit the ball in between these two white lines. No. The rules aren’t important. What’s important is, it’s linear. Every time I throw this ball, a hundred different things can happen in a game. He might swing and miss, he might hit it. The point is, you never know. You try to anticipate, set a strategy for all the possibilities as best you can, but in the end it comes down to throwing one pitch after another and seeing what happens. With each new consequence, the game begins to take shape.
BATSMAN-Alien: And you have no idea what that shape is until it is completed.
SISKO: That’s right. In fact, the game wouldn’t be worth playing if we knew what was going to happen.
JAKE-Alien: You value your ignorance of what is to come?
SISKO: That may be the most important thing to understand about humans. It is the unknown that defines our existence. We are constantly searching, not just for answers to our questions, but for new questions. We are explorers. We explore our lives, day by day, and we explore the galaxy, trying to expand the boundaries of our knowledge. And that is why I am here. Not to conquer you either with weapons or with ideas, but to co-exist and learn.

[Scene switches to the doomed USS Saratoga in Sisko’s quarters as he leans over Jennifer’s dead body.]

TACTICAL-Alien: If all you say is true, why do you exist here?

The prophets force Sisko to face the fact that, by living in the grief and anger produced by Jennifer’s death, he has stopped trying to live up to his own standard.

This is what we all do at various points in our lives. And our task in life isn’t to beat ourselves up for being imperfect in what we say we believe—for failing–but to get back up off of the floor and keep pushing and pressing on, using what we have left. Sisko still had his son and discovers by the end of the pilot–and the end of the series–that he has much more than he was able to imagine at the point where we first meet him. This was good TV.

And it demonstrates something essential about the relationship between inner-core beliefs/principles and the fallen nature of humanity: temporarily falling away from the former doesn’t make them any less true or correct…and doesn’t make them any less yours. And the great part about principles which are solid and true is that returning to them will help you dig yourself out of the ditch into which life has deposited you.

Juliette Akinyi Ochieng blogs at baldilocks. (Her older blog is located here.) Her first novel, Tale of the Tigers: Love is Not a Game, was published in 2012. Her second novel, tentatively titled, Arlen’s Harem, will be done in 2016. Follow her on Twitter.

Please contribute to Juliette’s Projects JOB:  Her new novel, her blog, her Internet to keep the latter going and COFFEE to keep her going!

Or hit Da Tech Guy’s Tip Jar in the name of Independent Journalism—->>>>

baldilocks

by Timothy Imholt

My wife and I are rarely the couple to agree upon what to watch on television.  She likes cooking shows and HGTV, I prefer something more up-tempo and fiction oriented.  24 was a show we could easily agree upon.

I know the first thing someone is thinking, how is that possible.  She is a well educated engineer turned stay at home mom.  He is a scientist who works with high tech and an army veteran.  The two of you should know that 24 does go well beyond believability in some cases.

I mean in one season Jack’s heart stops, they bring him back and 2 hours later he is in not only a gunfight but a fistfight with no help stopping to rest in between.

Believable?  Well, we want to.

Is Jack Bauer this generation’s version of James Bond?

No, I think James Bond is this generation’s James Bond.

The show does do something interesting.  The writers know how to appeal to men and women with every episode!  Is it good to sit at a writing table and say this five minute block is for men, that five minute block is for women, etc?  Well, I don’t know if it is a great thing for a purist when it comes to fiction writing but you can’t argue the show did clobber everything that went up against it in the ratings.

Come on, really, how is all of it possible?

How can Jack make a phone call and have someone send an interior map of the building in front of him to his phone showing locations of terrorists?  Well, I’m not sure he can.

How can he make a phone call and have someone open the gate in front of him from a computer they have to use to hack into someone else’s security system and have it happen in 15 seconds?

Ok, he can’t.  I can’t get people to answer the phone as fast as he does much less hack a complex computer system (ok I don’t know anyone who does that second part anyway…)

This one REALLY got me.  How can Jack call his office from across town at 4:40 in the afternoon in Los Angeles say, “Ok I’m across town, I’ll be there in five minutes,” and he makes it.  He does it without the use of a helicopter?   Have you seen Los Angeles traffic ever Mr. Producer?  I would buy off on all the technocrap long before that one

What is so good about the show?  Why am I looking forward to the reboot anyway?

Well a few reasons I am so very much looking forward to the reboot.

First the writing really does appeal to all demographics.  It really does, my wife likes it, my mother, my sisters, I do…My Dad did when he was alive.  It’s a solid show.

Why else?

It makes people talk and think about controversial topics.  First and foremost torture.  I want to be upfront and say I am not advocating torture, at all.  But if I was faced with a nuclear weapon, or bioterrorist threat and a city the size of LA would I change my mind as quickly as Jack?  Well…I have no idea.

The other one that I really spawns from the face that I work at a very large company.  The show, in a subliminal way, shows that bureaucracy slows things down.  It shows that if you want to lead or manage by committee sometimes that just doesn’t work.  You need people who can make decisions not people who say, ‘Ok I’ll make some calls and see what we can do.’

What else does it make us thing about?

It makes us see that there really are people who want to do harm unto others in this world.  It makes us think about them, and even, in some cases does a pretty good job at describing or showing why those people want to harm others.  Is it to get their brother the drug dealer out of prison?  Is it to break their father the freedom fighter from season 1 (Dennis Hopper) out of prison?

Who knows what the new season will bring.  But one thing I do hope is that the show will make us think as it always has.  I know it will be a bit formulaic and Jack will be superhuman but I hope for two things.  First and foremost an entertaining thrill ride.  Second, that it makes people think about the more controversial problems facing the world today and that it does not push a particular agenda merely presents them in an entertaining fashion so that people will talk to each other about those issues without partisan politics coming into that discussion.