By John Ruberry
Late last week Season Two of Ragnarok began streaming on Netflix. The Norwegian series presents a modern telling of the ultimate battle, Ragnarök, between the Norse gods and their enemies, the jötunn, evil deities who are usually called giants in English. It is set in the fictional small fjord town of Edda, which is being poisoned by the town’s largest employer, Jutul Industries. The company is run by Vidar Jutul (Gísli Örn Garðarsson), the head of the jötunn quasi-family. His wife, Ran (Synnøve Macody Lund), is the principal of Edda High School, which Magne Seier (David Stakson) and his brother, Laurits (Jonas Strand Gravli), attend. Also students there are two other Jutuls, Saxa (Theresa Frostad Eggesbø) and Fjor (Herman Tømmeraas).
In Season One, my DTG review is here, teenager Magne suspects he is the rebirth of Thor. Yes, he’s another “chosen one.” In the final episode of that season, while Laurits humiliates Ran in a public address, Magne confronts Vidar in a battle.
The second season picks up where the first ends. Somewhat diminished this season is the teen love anxiety–while the Norse mythology is elevated. There are few scenes at the high school. So there is a bit less of a Twilight feel this time around.
Laurits is a prankster so if you know a little bit about the Norse gods, you should have suspected in the first season that he is a modern representation of Loki, the mischievous god. Reluctantly and by happenstance, as Jake and Elwood did in The Blues Brothers, Magne is “putting the back back together,” and that includes Wotan Wagner (Bjørn Sundquist), Edda’s Odin, and Harry (Benjamin Helstad) as the militaristic god Týr. Edda is multicultural, so it’s not surprising that an immigrant from Sri Lanka, Iman (Danu Sunth), achieves goddess status as Frigg, a clairvoyant.
The powers–and the alliances–of the gods and the jötunn as told in Norse mythology are complicated–as they are here. So are the romances, particularly the one with Fjor and a human, Gry (Emma Bones).
According to the myths Loki was a shape shifter–that is not shown here–and some of those tales of the trickster god involve gender fluidity. Laurits is unsure of his gender–but more certain of his sexuality. Oh, there is also a brief sensual scene with two women.
All through Season Two the government is investigating the environmental devestatation Jutul Industries brings to Edda–as well as the company’s financial improprieties.
Magne and Laurits’ mother, Turid (Henriette Steenstrup), does her best in keeping the family together while struggling with poverty and of course, raising two teen sons who are conflicted gods.
The final episode, the sixth–Season One is also consists just six entries–brings forth another climactic confrontation. The door is open for a third season of Ragnarok and I’ll be back if there is. Although to be honest I probably would have lost interest during Season One has their not been a mythological foundation for the series. As of this writing Ragnarok is a Top Ten series on Netflix.
The streaming service gives viewers the option of watching Ragnarok in dubbed English or in Norwegian with English subtitles. There are also some passages, dubbed of course, in Old Norse.
Season Two of Ragnarok is rated TV-MA because of foul language (and gasp!) smoking. In reality the series is more like a PG-13 movie in regards to possibly objectionable content.
John Ruberry regularly blogs at Marathon Pundit.