By John Ruberry
Whereas for the series, which is centered on the village of Vík, Katla erupted one year earlier, forcing the evacuation of most of the town, save for some essential workers and their families.
Then a Swedish woman covered in ash, Gunhild (Aliette Opheim), not seen in Vík for twenty years, appears mysteriously, having not aged at all.
Others then emerge in the same manner.
To explain the setting and mood of the Katla, I need to make a diversion. Stick with me. Although this bit is quite fascinating.
According to Icelandic folklore much of the country, particularly rocks and boulders, are inhabited by the huldufólk, the hidden people.
Iceland is unique. In the fifth episode of his long running podcast Lore, “Under Construction,” host Aaron Mahnke describes the island nation this way: “Now you have to understand something about Iceland, much of the region is a vast expanse of sparse grass and large volcanic rock formations,” adding, “the ground boils with geysers and springs and the sky seems to be eternally gray and cloudy.”
Nature is particularly harsh in Iceland. Earthquakes are common, it has a chilly subpolar oceanic climate, long winter nights, and of course there are those volcanoes, nearly thirty of them are active.
The use of folklore is a common method to explain the world and with so much of Iceland being a seemingly blank canvas–the “vast expanse of sparse grass” that Mahnke described, as well as its unpredictable volcanoes, it is understandable that folklore’s roots are deep there.
Mahnke in his podcast mentions a couple of road projects in Iceland–one just six years ago–that were altered to assuage fears that the huldufólk would not be disturbed. Click here to find other projects that were changed for the sake of the huldufólk.
In a 1998 survey slightly more than half of Icelanders said they believe in the hidden people. In the minds of many Icelanders the huldufólk are quite real. They are certainly part of the psyche of this Nordic nation.
Huldufólk take on many incantations within Icelandic folklore, among these are as changelings.
Katla is an eight-episode series that is the work of Sigurjón Kjartansson and Baltasar Kormákur. The duo was also responsible for the series Trapped, Kormákur directed the movie Everest.
It appears Kormákur and Kjartansson’s primary audience for Katla is Icelanders and other Scandanavians. The former and probably the latter have a basic understanding of the huldufólk, whereas the primary audience of this blog does not. Hence my diversion because the huldufólk legends aren’t discussed at all in Katla except briefly midway in the series, but that part is featured in the Netflix trailer.
After the emergence of the young Gunhild, the “other” one–twenty years older of course–is discovered in Sweden. Next to come from the ash is Ása (Íris Tanja Flygenring), whose return puzzles her sister Gríma (Guðrún Eyfjörð), a rescue worker in an unhappy marriage with a dairy farmer, Kjartan (Baltasar Breki Samper). Ása and Gríma find themselves entangled in the complicated life of Gunhild and an old relationship of his.
In Katla we also find a deeply religious man, police chief Gísli (Þorsteinn Bachmann) and a scientist Darri (Björn Thors), whose lives are dramatically altered by the new arrivals.
Katla is part science fiction and part psychological drama. It’s worth your time.
The show’s directors make the most of the stark scenery–the cinematography is breathtaking. And the acting is compelling.
Katla is rated TV-MA for violence, scenes of suicide, brief nudity, and strong language. It is available in English, in Icelandic with subtitles, and in English with subtitles. I recommend watching the Icelandic with subtitles version, as there are passages in English and Swedish–and that method of viewing fills out the storyline a little better.
John Ruberry regularly blogs at Marathon Pundit.