By John Ruberry
Are you stuck at home during the COVID-19 lockdown? Here’s another Netflix binge-watching opportunity for you: The Last Kingdom.
Last Sunday Season 4 began was released by the streaming service.
On the old platform of Da Tech Guy I reviewed the first three seasons. Here’s a brief summary: Uhtred Ragnarsson of Bebbanburg (Alexander Dreymon), the son of a Northumbrian nobleman, is raised by Danish Vikings, along with another Saxon, Brida (Emily Cox), after his father is killed in a battle. Both of them abandon Christianity and convert to the Norse religion. As adults they serve as bridges, Uhtred much more than Brida, between the Danes and the English. Uhtred, also called “Uhtred the Godless” and “the Daneslayer,” sets his goal to reclaim Bebbanburg, his ancestral castle.
In the first season the four Saxon kingdoms, Northumbria, East Anglia, Mercia, and Wessex have been conquered by a Danish force later called the Great Heathen Army. Only Alfred (David Dawson), the king of Wessex, puts up an effective resistance. Uhtred and Alfred form an uneasy alliance to defeat the Danes. Wessex of course is that Last Kingdom. Alfred is one of two English kings to be given the moniker “the Great.” The other was Cnut, an 11th century ruler.
The series is based The Saxon Stories books by Bernard Cornwell.
Minor spoilers in the next paragraph:
In the fourth season Bebbanburg, weakened after a siege by the Scots, finally seems within reach of Uhtred. He’s been united with his children, yet another Uhtred (Finn Elliot), a devout Christian, who was largely raised in a monastery, and his daughter, Stiorra (Ruby Hartley), who like the elder Uhtred is conflicted in her relations with Saxons and Danes. Edward (Timothy Innes), who succeeded his father, is the new king of Wessex and has a strong influence over Mercia, where his sister Aethelflaed (Millie Brady) is queen.
The Viking era of the British Isles lasted over two-and-a-half centuries, ending in that auspicious year of 1066. The Last Kingdom is set roughly half-way into that conflict. If the Danes were to issue a knock-out punch, it needed to be by the Great Heathen Army over Alfred. That didn’t happen so that sets the table for a long series of alliances and betrayals. There is plenty of both in the show, in this season the prominent one is a scheme from the traitor Eardwulf (Jamie Blackley), a member of a fallen Mercian noble family. Meanwhile Alfred’s widow, Aelswith (Eliza Butterworth) weaves her plan to fight the Danes.
The middle section of Season 4 is overly burdened with plots and counter-plots, made even more confusing because many of the historical characters in The Last Kingdom have similar names. For instance we have Aethelflaed who is married to Aethelred (Toby Regbo). Such similarities can work in books, but the scriptwriters for the series should have changed one of those names. There is more. Aelfwynn (Annamária Bitó) is their daughter. Her grandmother is the aforementioned Aelswith. While Edward is in Mercia, Wessex is ruled by an ealdorman, Aethelhelm (Adrian Schiller). His daughter, Aelflaed (Amelia Clarkson) is married to Edward.
But the season is redeemed by the battle scenes which are quite intense. And of course the later episodes are dominated by major one, a siege with Uhtred and Brita on opposite sides of the walls. The Saxons are led by Edward, the Danes by a new Viking leader, Sigtryggr (Eysteinn Sigurðarson).
A fifth season seems likely as The Last Kingdom has enjoyed a top-ten Netflix viewing all week. One issue that needs to be resolved is that the main characters have barely aged yet Uhtred’s children are in their mid-teens. It’s time for a touch of gray in his hair. And Brida’s too.
The Last Kingdom is rated TV-MA for violence, torture, and nudity.
John Ruberry regularly blogs at Marathon Pundit.